Wednesday, December 31, 2014
Tuesday, December 30, 2014
Monday, December 29, 2014
Sunday, December 28, 2014
Saturday, December 27, 2014
So Long, Dad
His family, my family, has been in this country since before it was a country. The Clements are older than the Declaration of Independence; older than the mass migration of the 18th century. We are as old as the soil that fills the land from the Appalachian Plateau to the Till Plains.
My father was born in the middle of central Ohio farmland, a life so simple and rural that in the summer he rarely wore shoes, where he worked a variety of jobs aiding his family as a dutiful eldest child of his generation would, even helping to raise his sister and brother. He was a spectacular student, the first Clements to go to college, as equally adept at mathematics, his favorite subject, as he was in grammar and usage. [He was the proofreader for my dissertation in theology.]
He served as a sergeant in the US Army during the Korean War, then as a high school and college teacher. He showed me how to frame a house and replace a roof. He took us with him those summers when he worked on his graduate degree and, in 1966 when he won a Jennings Scholarship, withdrew me from school so that I could accompany him to Chicago, Washington D.C., Boston, and New York. When he consulted with NASA, he took me with him to see a computer that was large enough to fill a room.
My grandfather, a carpenter, once told me how proud he was that his son was addressed at work as "Mr. Clements".
He showed remarkable patience with his son, even during the obstreperous years. When the son told him he wanted to be a teacher, he smiled. When the son told him he wanted to be a priest, he smiled some more.
He prayed with more sincerity than anyone I have ever known. I think he read a book a day and, when he wasn't doing that, would work out complicated mathematical puzzles. I have served four schools, a college, and a university, and I can objectively state that he is the best math teacher that I've ever seen.
His favorite hymn was #412, I think mainly because of this verse:
Classrooms and labs, loud boiling test tubes,
sing to the Lord a new song!
Athlete and band, loud cheering people,
sing to the Lord a new song!
While I didn't inherit his facility with equations, I did receive his sense of humor. In times easy and hard, that's made all of the difference.
Friday, December 26, 2014
B. Traven
"The creative person should have no other biography than his works."
_________________________________________________________________________________There is a place of ephemeral legend in Mexico, known in Spanish as "El Camino", that doesn't exist on any map, save those written in the hearts of those who yearn. It refers to the experience of outsiders who come to the southern states to find...well, either something or nothing, depending on their desire, and become lost within the quest. It has claimed many people, men and women, through the years. There have been explorers, of course, who have worked their way through the jungles and beaches of Mexico; there have been poets, artists, and any number of musicians. J. Frank Dobie, Ambrose Bierce, William Cullen Bryant, William Burroughs, Jack London, Katherine Anne Porter, Edna Ferber, Jack Kerouac, Hart Crane, and Ken Kesey offhand come to mind as just a few of the gringos and gringas who have, one way or another, hiked the mythical El Camino. Personally, I've known a number of surfers who have looked for oblivion in the Meso-American waves.
During the 1920's and 30's a series of riveting novels, set mostly in Mexico and mostly about the spiritual experience of El Camino, had been best-sellers in Europe. Their author, known only as B. Traven, had remained aloof from any sort of publicity. He lived somewhere in Mexico, no one really knew where, and wrote in German, with his publisher translating his works into the various languages of his continental audience.
In 1946, the filmmaker John Huston began his walk of El Camino. Having spent several years as the ne'er do well son of a recognizable and bankable stage and movie actor, Huston had been a boxer, drinker, flunky, go-fer, writer, and general dogsbody in the film industry until, to quote from Steely Dan, "he crossed a diamond with a pearl" and wound up writing the screenplay for and directing "The Maltese Falcon", a critical and box office hit that earned serious money for his studio, made a leading man out of Humphrey Bogart, and created the entire genre of film noir.
The only problem with being a success in a world of transient fame was that one was only popular until the next big movie came along. This is why Huston was sitting in a humid café in Mexico City waiting to meet a man who did not exist.
Having lived and traveled freely in Europe and familiar with the popularity of Traven's work, Huston was particularly interested in Traven's 1927 novel, The Treasure of the Sierra Madre, especially as it was the first and only Traven book translated and marketed in the United States at that time. That the novel was an American best-seller and a terrific story convinced Huston that it should be translated to the screen. Before he could begin to do so, however, the whole world was distracted with World War II.
When Huston returned to civilian life after directing documentaries for the War Department, he again returned to his Sierra Madre project. His first item of business was receiving the author's permission to use his novel, something that was trickier than it ordinarily would have been since no one was really sure of Traven's whereabouts or true identity. Still, Huston was not one to be daunted and he began a near Quixotic quest to contact the author and receive his permission.
So it was that Huston found himself waiting for Traven to join him for a drink or three. However, instead of Traven, a man introducing himself as Hal Croves turned up, explaining that he was serving as Traven's representative and had the power of attorney necessary to complete their contractual negotiations. While Huston initially suspected the Croves was Traven, he was willing to indulge him in order to complete the film. The meeting went well and the two met again in Acupulco to finalize the deal and appoint Croves as a "technical adviser" to the film. In 1947 the filming began on location in Mexico with Croves a familiar personality on the set. Once filming was completed, Hal Croves disappeared.
Tim Holt, Humphrey Bogart, and Walter Huston; and maybe Traven in the tent, who knows?
Of course, The Treasure of the Sierra Madre, starring Humphrey Bogart and Huston's father, Walter, was a huge success; nominated for an Academy Award for Best Picture of 1948 and earning Oscars for Best Screenplay Adaptation and Best Director for John Huston. With the popularity of the film and the reignited interest in the novels of Traven, reporters became interested in the elusive author.
However, the only connection to Traven was Hal Croves, who had not been seen for over a year. A particularly intrepid reporter for a Mexican newspaper began a search for Croves and, instead, found a fellow in Acapulco named Traven Torsvan, a recluse called "El Gringo" by his neighbors. His interest piqued, the reporter discovered through immigration paperwork that Torsvan was born in Chicago and had come to Mexico in 1930, eventually establishing residency. Using questionable techniques, mainly bribery and petty theft, the reporter established that El Gringo was receiving royalty checks in the name of "B. Traven" along with correspondence from other authors. When confronted by reporters, Torsvan, like Croves, disappeared.
A decade later, after interest in Traven and his true identity had cooled, the mysterious Hal Croves, in absentia from the human race since 1947, reappeared to serve as Traven's official representative in negotiation with European filmmakers interested in emulating Huston's success with Treasure. He would even attend film festivals in Europe, only to be peppered by reporters with questions about his true identity.
Croves would die in 1969. His widow, who had also been his secretary, would then reveal the true story of B. Traven. Senora Croves told the press that her late husband had, in fact, been a German anarchist named Ret Marut [aka Otto Feige]. In Germany, her husband published a successful novel, The Death Ship, and edited an anti-government magazine for which he was eventually arrested and sentenced to death. He managed to escape to Mexico, altering his identity to that of an American émigré.
During his years south of the border, in addition to writing over a dozen novels and short story anthologies, Feige/Marut/Torsvan/Croves/Traven also managed to work as a photographer for some expeditions into the Mexican jungles [from which the above photo, maybe of Traven, comes], as a translator and guide, and as an inn-keeper. It was a busy life for him, but since he may have been five or so people, perhaps not that unusual.
There is now an entire industry devoted to claiming to know Traven's real identity and disparaging other theories. It's rather entertaining but largely meaningless. As Traven noted, for a true artist it's about the work, not the biography. His story is yet another tale of those, like his characters, who travel El Camino in search of something that they never entirely find and leave behind a life more full of questions than answers.
B. Traven's novels are now all available in English and most are still in print; some are even available in e-book format.
Traven. Maybe.
Thursday, December 25, 2014
Monday, December 22, 2014
Saturday, December 20, 2014
The Liturgies Of Christmas
Christmas Eve:
5:00 pm Celebration of the Holy Eucharist on the occasion of the Feast of the Incarnation with Carols and Hymns.
10:00 pm Festal Celebration of the Holy Eucharist, also with Carols and Hymns.
Christmas Day:
10:00 am A Celebration of the Holy Eucharist, especially for those who prefer a quieter, meditative experience on the Feast of the Incarnation.
Friday, December 19, 2014
Everyone's An Energy Scold These Days
Be energy smart this holiday season. Follow these Marine Corps energy tips. #EnergyEthos pic.twitter.com/Rve1WWGOZa
— U.S. Marines (@USMC) December 19, 2014
Jacques Piccard
Piccard on the right with a naval officer, having just done something no one had ever done.
".... And as we were settling this final fathom, I saw a wonderful thing. Lying on the bottom just beneath us was some type of flatfish, resembling a sole, about 1 foot long and 6 inches across. Even as I saw him, his two round eyes on top of his head spied us - a monster of steel - invading his silent realm. Eyes? Why should he have eyes? Merely to see phosphorescence? The floodlight that bathed him was the first real light ever to enter this hadal realm. Here, in an instant, was the answer that biologists had asked for the decades. Could life exist in the greatest depths of the ocean? It could! And not only that, here apparently, was a true, bony teleost fish, not a primitive ray or elasmobranch. Yes, a highly evolved vertebrate, in time’s arrow very close to man himself. Slowly, extremely slowly, this flatfish swam away. Moving along the bottom, partly in the ooze and partly in the water, he disappeared into his night. Slowly too - perhaps everything is slow at the bottom of the sea - Walsh and I shook hands."
_______________________________________________________________________________
When I was nine years old and with my family on vacation in south Jersey, we took a day trip up north to Atlantic City. This was in the mid-1960's and pre-casino A.C. was filled with gloriously wondrous activities, especially on the famous Steel Pier. For example, for a quarter [pricey, I know] one could race slot cars on an enormous track with a number of other competitors, see a live musical act [The Supremes minus Diana Ross; Davey Jones minus The Monkees, Pat Boone plus his wife and daughters], a horse plunge into the ocean from a diving board with a helmet-clad bathing beauty on his back, or, for a nickel, watch a chicken in a lighted box dance "The Twist" to a Chuck Berry 45 while electric current pulsed through a wire under its feet. It really was nothing but non-stop amazement.
My favorite activity was also the most expensive, naturally. At the side of the Steel Pier was a blue and white diving bell affixed to the superstructure. For a dollar, we could stand in a long line, climb aboard, and sink like a rock 22 feet under the surface. The view was ordinary, of course, unless you're excited by discarded cans, carrion crabs, and muddy sand. But still, how many of us really got to travel in an actual submersible? Fortunately, it would also return to the surface. It was so amazing, none of my friends back in Ohio believed it existed.
One of the reasons that I was so determined to spend the equivalent of ten comic books worth of money on this ride is that I had written a report for my favorite elementary school teacher just a few months before on Jacques Piccard and his bathyscaphe Trieste, which had descended to unheard of depths in the Pacific Ocean. The descriptions of the adventure were still fresh in my imagination when I took that two-story plunge into the Atlantic.
The Trieste was merely one of many devices created by a remarkable Swiss family reaching back into the previous century. While it was used to plumb the depths of the sea, the bathyscaphe was actually based on the high altitude experiments of Auguste Piccard, Jacques' father and a physicist at the University of Brussels in the 1930's who decided to test his theories using a new type of pressurized balloon gondola of his own invention that would allow its occupants to reach high enough into the atmosphere that Piccard could study cosmic rays. Auguste would make 27 balloon journeys, eventually reaching the record height of over 27,000 feet, or one-third of the way into space.
During Auguste's work improving the pressurized balloon gondola, now with Jacques as his assistant, they realized that with some minor re-engineering the balloon gondola could be made into a submersible cabin. Using the same physics employed in gauging the buoyancy of a high-altitude balloon, the Piccards fashioned a pressurized sphere attached to a larger cylinder filled with heavy viscous liquids and weighted with simple iron shot. The first version of the bathyscaphe [from the Greek for "deep vessel"] was ready for its shakedown cruise in 1939 when world events delayed its development. After the war, the experiment fell to Jacques to complete, as his father now considered himself too old for such extracurricular adventures.
Jacques was born in 1922, had studied engineering, physics, and economics at the University of Geneva [where his father taught], served in the Free French Army during the war, and was working as a lecturer upon the war's conclusion. As he became more involved with his father's projects, he would leave teaching and dedicate his days to perfecting what would become the third and most famous of the Piccard bathyscaphes, the Trieste.
In 1953, the Trieste managed to descend to a record depth of over 10,000 feet [nearly 2 miles] into the Mediterranean Sea near Capri, but that wasn't enough for Jacques, who was now being recognized in the European press as a "hydronaut". He knew that the Trieste could go much, much deeper. However, such a bold venture required capital and, in the 1950's, the best place to find that revenue was in the United States.
Piccard went to the U.S. Navy with an offer to use the Trieste in their deep-submergence experiments. In those earlier, wilder days at the Defense Department, instead of simply renting the Trieste, the Navy bought it outright and appointed Piccard as its pilot/consultant. Training a Navy lieutenant, Don Walsh, in its operation, Piccard convinced the powers-that-be into making a bold attempt to sink the Trieste into the deepest known portion of the undersea floor.
On January 23, 1960, Piccard and Walsh began a five hour descent into the Marianas Trench in the southern Pacific. Their target, a valley labeled on undersea maps as the "Challenger Deep", was seven miles below, a depth that exerted 4348 pounds per square inch on the hull.
[As a helpful example to understand how much pressure this is, a stream of water leaking from a pinhole in the submersible's hull would, before the entire vehicle imploded, have the force necessary to cut through flesh and bone as efficiently as a high-intensity laser.]
While the goal of the mission was to prove the engineering superiority of the Trieste, a secondary, and rather staggering, result was also achieved. Until that time, it was assumed by marine biologists that no sea life existed at those depths due to the extreme pressure. But, as Piccard watched in fascination out his small, thick window, even the ocean deep held a rich variety of God's creatures.
After twenty minutes on the sea floor, Piccard noted that micro-fissures were beginning to develop in the Trieste's port window, so it was prudently decided to get the heck out of there. [He had been warned by "experts" not to include a window in the design, but c'mon....] It took three more hours to surface and, by the time they broke through the waves near their Navy escort ship, the entire study of ichthyology had been re-appraised. The only problem, said the scientific community, was that the Trieste was not equipped to take samples. Piccard decided to address this problem directly.
Piccard designed a replacement to the bathyscaphe, a mesoscaphe that was capable not only of collecting samples and traveling independently at a specified depth, but could also carry a larger crew. The first, the Auguste Piccard, was used to boost awareness of submersible technology and raise funds by ferrying paying passengers under the waters of Lake Geneva during the Swiss Exhibition of 1964. A second mesoscaphe was created under contract with Grumman Aircraft and named the Ben Franklin.
In 1969, carrying a crew of six, the Franklin would drift with the Gulf Stream for over four weeks. During that time, Piccard and the crew would study the current and also the psychological effects on half a dozen men living in tight quarters and engaged in dangerous activity. This latter study was of particular importance to NASA's Apollo space program. After being launched off the coast of Palm Beach, Florida, the Franklin would next surface 1500 miles away off of the coast of Nova Scotia.
[Interesting note: Robert Ballard, the discoverer of the wreck of the RMS Titanic and director of the Mystic Aquarium, would make his first underwater voyage as a crew member on board the Franklin.]
Piccard would continue his research until his death in 2008, winning a number of accolades and honors along the way. While originally disputed by the scientific community, the existence and deep-sea life was eventually proven and Piccard's observations ratified. His early research into ocean pollution and the results of coastal development served as the foundation for the scientific, rather than political, understanding of planetary changes. In so doing, he would found La Fondation pour l'étude des Mers et des Lacs, an organization that works with many of the surf and beach conservation organizations that this writer holds dear. Continuing in the tradition of his family, Jacques' son, Bertrand Piccard, completed the first non-stop circumnavigation in a balloon in 1999.
Jacques Piccard's two books, Seven Miles Down and The Sun Beneath The Sea are no longer in print but can be located for very reasonable prices through used book dealers. Libraries always seem to have copies of them about, too.
And what happened to the diving bell from the Steel Pier, you ask? It is currently beached and on display at the Atlantic City Aquarium.
My favorite activity was also the most expensive, naturally. At the side of the Steel Pier was a blue and white diving bell affixed to the superstructure. For a dollar, we could stand in a long line, climb aboard, and sink like a rock 22 feet under the surface. The view was ordinary, of course, unless you're excited by discarded cans, carrion crabs, and muddy sand. But still, how many of us really got to travel in an actual submersible? Fortunately, it would also return to the surface. It was so amazing, none of my friends back in Ohio believed it existed.
One of the reasons that I was so determined to spend the equivalent of ten comic books worth of money on this ride is that I had written a report for my favorite elementary school teacher just a few months before on Jacques Piccard and his bathyscaphe Trieste, which had descended to unheard of depths in the Pacific Ocean. The descriptions of the adventure were still fresh in my imagination when I took that two-story plunge into the Atlantic.
The Trieste was merely one of many devices created by a remarkable Swiss family reaching back into the previous century. While it was used to plumb the depths of the sea, the bathyscaphe was actually based on the high altitude experiments of Auguste Piccard, Jacques' father and a physicist at the University of Brussels in the 1930's who decided to test his theories using a new type of pressurized balloon gondola of his own invention that would allow its occupants to reach high enough into the atmosphere that Piccard could study cosmic rays. Auguste would make 27 balloon journeys, eventually reaching the record height of over 27,000 feet, or one-third of the way into space.
During Auguste's work improving the pressurized balloon gondola, now with Jacques as his assistant, they realized that with some minor re-engineering the balloon gondola could be made into a submersible cabin. Using the same physics employed in gauging the buoyancy of a high-altitude balloon, the Piccards fashioned a pressurized sphere attached to a larger cylinder filled with heavy viscous liquids and weighted with simple iron shot. The first version of the bathyscaphe [from the Greek for "deep vessel"] was ready for its shakedown cruise in 1939 when world events delayed its development. After the war, the experiment fell to Jacques to complete, as his father now considered himself too old for such extracurricular adventures.
Jacques was born in 1922, had studied engineering, physics, and economics at the University of Geneva [where his father taught], served in the Free French Army during the war, and was working as a lecturer upon the war's conclusion. As he became more involved with his father's projects, he would leave teaching and dedicate his days to perfecting what would become the third and most famous of the Piccard bathyscaphes, the Trieste.
As you can see, unlike a submarine, it was not self-propelled; able only to go either down or, thankfully, up.
In 1953, the Trieste managed to descend to a record depth of over 10,000 feet [nearly 2 miles] into the Mediterranean Sea near Capri, but that wasn't enough for Jacques, who was now being recognized in the European press as a "hydronaut". He knew that the Trieste could go much, much deeper. However, such a bold venture required capital and, in the 1950's, the best place to find that revenue was in the United States.
Piccard went to the U.S. Navy with an offer to use the Trieste in their deep-submergence experiments. In those earlier, wilder days at the Defense Department, instead of simply renting the Trieste, the Navy bought it outright and appointed Piccard as its pilot/consultant. Training a Navy lieutenant, Don Walsh, in its operation, Piccard convinced the powers-that-be into making a bold attempt to sink the Trieste into the deepest known portion of the undersea floor.
On January 23, 1960, Piccard and Walsh began a five hour descent into the Marianas Trench in the southern Pacific. Their target, a valley labeled on undersea maps as the "Challenger Deep", was seven miles below, a depth that exerted 4348 pounds per square inch on the hull.
[As a helpful example to understand how much pressure this is, a stream of water leaking from a pinhole in the submersible's hull would, before the entire vehicle imploded, have the force necessary to cut through flesh and bone as efficiently as a high-intensity laser.]
Not exactly roomy, either.
While the goal of the mission was to prove the engineering superiority of the Trieste, a secondary, and rather staggering, result was also achieved. Until that time, it was assumed by marine biologists that no sea life existed at those depths due to the extreme pressure. But, as Piccard watched in fascination out his small, thick window, even the ocean deep held a rich variety of God's creatures.
Piccard designed a replacement to the bathyscaphe, a mesoscaphe that was capable not only of collecting samples and traveling independently at a specified depth, but could also carry a larger crew. The first, the Auguste Piccard, was used to boost awareness of submersible technology and raise funds by ferrying paying passengers under the waters of Lake Geneva during the Swiss Exhibition of 1964. A second mesoscaphe was created under contract with Grumman Aircraft and named the Ben Franklin.
This one had enough room for The Professor and Mary Ann, too.
In 1969, carrying a crew of six, the Franklin would drift with the Gulf Stream for over four weeks. During that time, Piccard and the crew would study the current and also the psychological effects on half a dozen men living in tight quarters and engaged in dangerous activity. This latter study was of particular importance to NASA's Apollo space program. After being launched off the coast of Palm Beach, Florida, the Franklin would next surface 1500 miles away off of the coast of Nova Scotia.
[Interesting note: Robert Ballard, the discoverer of the wreck of the RMS Titanic and director of the Mystic Aquarium, would make his first underwater voyage as a crew member on board the Franklin.]
Piccard would continue his research until his death in 2008, winning a number of accolades and honors along the way. While originally disputed by the scientific community, the existence and deep-sea life was eventually proven and Piccard's observations ratified. His early research into ocean pollution and the results of coastal development served as the foundation for the scientific, rather than political, understanding of planetary changes. In so doing, he would found La Fondation pour l'étude des Mers et des Lacs, an organization that works with many of the surf and beach conservation organizations that this writer holds dear. Continuing in the tradition of his family, Jacques' son, Bertrand Piccard, completed the first non-stop circumnavigation in a balloon in 1999.
Jacques Piccard's two books, Seven Miles Down and The Sun Beneath The Sea are no longer in print but can be located for very reasonable prices through used book dealers. Libraries always seem to have copies of them about, too.
And what happened to the diving bell from the Steel Pier, you ask? It is currently beached and on display at the Atlantic City Aquarium.
Thursday, December 18, 2014
The Irony In The Midst Of All Of This Is Remarkable
Apparently we are supposed to regard the cancellation of a dumb movie as The Worst Thing Ever, since it involves surrender to an ugly regime and its evil ways. The great and the good are now exhorting President Obama to do something about this outrage and teach North Korea to behave. The hideousness of Pyongyang is no more “news” than learning that Hollywood is full of idiots. What exactly the moral outrage contingent wants Washington, DC. to do about Sony’s prostration before the prophets of juche is far from clear.
It’s hard not to notice that Sony was a big fan of exposing secrets before it was theirs that got outed. Only a few months ago, they paid millions for the film rights to Glenn Greenwald’s hagiographic book about the Snowden Operation, the largest leak of classified information in intelligence history. One wonders if Sony execs have reconsidered their position now that they, too, have been hacked.
For years I've heard how courageous and transgressive the creative people in film are. Certainly, there have been times when movies pushed the status quo and even confronted violence and evil [yes, I'm permitted to use that word] in ways both satirically humorous and pithily grim. It's been a long time since films like that have been made.
So, here's your petard, Hollywood, and here's the hoist.
It’s hard not to notice that Sony was a big fan of exposing secrets before it was theirs that got outed. Only a few months ago, they paid millions for the film rights to Glenn Greenwald’s hagiographic book about the Snowden Operation, the largest leak of classified information in intelligence history. One wonders if Sony execs have reconsidered their position now that they, too, have been hacked.
For years I've heard how courageous and transgressive the creative people in film are. Certainly, there have been times when movies pushed the status quo and even confronted violence and evil [yes, I'm permitted to use that word] in ways both satirically humorous and pithily grim. It's been a long time since films like that have been made.
So, here's your petard, Hollywood, and here's the hoist.
This Just Made The Headline Writer's Day
Driver arrested for marijuana possession after chase across Bong Bridge
[For those who don't know, headlines are not usually written by the reporter, unless it is a terribly small paper. Editors are usually the ones to write the headlines; in some cases, as with the New York Post or New York Daily News, there is someone who's sole responsibility is headline composition. That's how classics such as "Headless Body in Topless Bar" get composed.]
[For those who don't know, headlines are not usually written by the reporter, unless it is a terribly small paper. Editors are usually the ones to write the headlines; in some cases, as with the New York Post or New York Daily News, there is someone who's sole responsibility is headline composition. That's how classics such as "Headless Body in Topless Bar" get composed.]
Tuesday, December 16, 2014
Monday, December 15, 2014
The Cheapest Generation
Why Millennials aren’t buying cars or houses, and what that means for the economy
They also aren't contributing to churches or other non-profits very much, either. In fact, once they leave college, they tend not to volunteer for charitable work.
One of the reasons given to me during this summer's research was, "I already did all that community service stuff in school."
They also aren't contributing to churches or other non-profits very much, either. In fact, once they leave college, they tend not to volunteer for charitable work.
One of the reasons given to me during this summer's research was, "I already did all that community service stuff in school."
Sunday, December 14, 2014
Best Sentence Of The Week
Oglala Sioux tribal Councilwoman Ellen Fills the Pipe, chairwoman of the council's Law and Order Committee, said Thursday she needs to review the federal policy more thoroughly but that given her long background in law enforcement, she opposes loosening marijuana laws.
She might feel differently if her name were Ellen Empties the Pipe.
She might feel differently if her name were Ellen Empties the Pipe.
Saturday, December 13, 2014
The Chautauqua Institute Falls Victim To The Curse Of "Improvement"
The Amphitheater is the spiritual center of the Institution renowned as a contemplative haven for the exchange of ideas, pursuit of moral high ground and concern for common good. Chautauqua is a Disneyland for the high-minded, a theme park for introspection. Its leafy lakeside grounds draw summer residents from around the world. With serenity-inducing streets lined with Victorian cottages, the Institution is a picture-book retreat where Ozzie and Harriet might have summered, had they been blessed with intellectual curiosity.
So it’s startling that the latest frontal assault on a structural icon occurs not in some Sun Belt burg or suburban expanse. Locked in the demolition crosshairs is the circa-1893 Chautauqua Amphitheater. Plans have been made and needed funds nearly raised to demolish the quaintly iconic structure where President Franklin Roosevelt spoke and Marian Anderson sang. In its place would come an amenities-laden “replica.”
I spent a very pleasant week at the Institute back in the 1980's when I served as chaplain of their Episcopal House.
So it’s startling that the latest frontal assault on a structural icon occurs not in some Sun Belt burg or suburban expanse. Locked in the demolition crosshairs is the circa-1893 Chautauqua Amphitheater. Plans have been made and needed funds nearly raised to demolish the quaintly iconic structure where President Franklin Roosevelt spoke and Marian Anderson sang. In its place would come an amenities-laden “replica.”
I spent a very pleasant week at the Institute back in the 1980's when I served as chaplain of their Episcopal House.
College Administrator Of The Week
After an administrator sent out an e-mail to employees telling them "religious-themed" decorations -- which he said included the peppermint confections -- could not be placed in common areas on campus, students went into an uproar. And they got their Christmas wish.
In this world of social media and increasingly muscular Christianity, college administrators are going to have to trim their irrational anti-Christian tendencies.
Oh, wait. It was just a "misunderstanding". Right.
In this world of social media and increasingly muscular Christianity, college administrators are going to have to trim their irrational anti-Christian tendencies.
Oh, wait. It was just a "misunderstanding". Right.
Today Is The Anniversary Of Larry Doby's Birth
You may not know of Doby or care about baseball, but he was one of the first black players in the major leagues. In 1948, the year after baseball's integration, Doby and his fellow Cleveland Indians won the World Series.
The photo above evokes many things, doesn't it?
Friday, December 12, 2014
Patti Smith
To me, punk rock is the freedom to create, freedom to be successful, freedom to not be successful, freedom to be who you are. It's freedom.
______________________________________________________________
Because I make guitars and basses, I find myself often in the company of young musicians. These men and women are of no interest to music producers or recording companies as they often aren't all that telegenic or vapid looking. They just happen to be spectacular musicians and composers with stellar stage presence. In other words, ehh.
Which is why I love live music in small clubs; the places that used be so smoky [before the hideous busy-body blue noses in government decided we were too dim to make decisions for ourselves] that, in my playing days, green stripes would be left along my fingertips from the accumulated cigarette residue clinging to the metal strings of my bass. Those were the places where real music was viscerally rendered and immediate with the musicians and the crowd reaching a gestalt of emotion, encouraging one another to heights of lyricism...yeah, that's how it works. In those quiet moments between sets or after a gig, by way of encouragement, I like to tell the younger musicians what it was like in the 1970's in Cleveland and New York, when the unlikeliest rock star ever was the toast of the New Wave scene.
I imagine anyone who has ever lived in New York City has felt that their era in the city was one of unmatched creativity in the music and arts communities. In my day, New Wave music was claiming the stages in the nightclubs, including groups such as The Ramones, Blondie, The B-52's, and The Smiths [not to mention the groups for which I played: The Zen Maniacs, The 98 Decibel Freaks, and Head Full of Zombie], who would influence music in the decades to follow.
In the verbal arts, "performance poetry" came to the fore. A clear descendant of the Beat Poetry of the 1950's that was performed in nightclubs while backed by a jazz combo, the 1970's and 80's version found its home on the same stages as the New Wave groups, often opening for the musical acts. It was inevitable that New Wave music and performance poetry would collide into one, glorious presentation. When that happened, it was spectacularly rendered in the person of Patti Smith.
Smith was an unlikely artist to be on any recording company's A & R roster, even in those days. She was not conventionally attractive, her demeanor was sullen, her style extremely "artsy", her stage costume a man's white t-shirt or dress shirt matched with over-sized tuxedo pants, and her lyrics angry and obtuse. She was, in a word, great.
Patti Smith was born in Chicago in 1947 and moved to Philadelphia and then north New Jersey. Upon graduation from high school, she worked for a time in a factory, birthed an out-of-wedlock child whom she surrendered for adoption, and eventually moved to New York City to work in a bookstore. It was there that she met and began a relationship with the provocative photographer, Robert Mapplethorpe. As one would expect of two intense artists living in squalor at the Chelsea Hotel, their relationship was tumultuous; just as naturally, it produced tremendous creativity from the two of them.
Smith was, without question, the most interdisciplinary of the artists produced by this age. She wrote articles for the venerable music magazine, Creem, acted in and co-wrote plays with the playwright/actor Sam Shepherd, performed with a guitar on the streets and in the subways, and was a member of the St. Mark's Poetry Project. It was with that latter organization that she crystallized her reputation as the "Godmother of Punk".
While not its originator, Smith became the most evocative character in the movement, mainly as she had a stage presence that captured the post-Vietnam period's spiritual ennui and confusion [what then-President Jimmy Carter would call "malaise"]. As I have heard said of certain stage and movie stars, one could not take eyes off of her. Even with a personality and appearance that repelled many of the recording execs [I'm trying to imagine how she would be regarded in the current, Taylor Swift-ed music world], Clive Davis of Arista Records gave her a contract. The resulting album, Horses, with its cover photo by Mapplethorpe, would take the indie rock world by storm.
With it's blending of original verse with rock standards or free-style jamming [something hip-hop composers would copy in subsequent decades] Horses would rise to #47 on the Billboard charts and, eventually, be ranked #44 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time. Subsequent albums would follow and from that point forward Smith would be a sought-after performer/composer as the New York sound was refined. She would co-write "Because the Night" with Bruce Springsteen and be offered, and refuse, the position of lead singer with Blue Oyster Cult.
Other albums would follow; Smith would marry and have children. She would suffer loss as close friends would die; she would be severely injured in a fall from a stage. She would withdraw from public life and then, at the urging of her friend, Beat poet Allen Ginsberg, make a triumphant return. Even now, as Punk and New Wave are mostly subjects in musicology classes, at the age of 67 she is still in demand as a poet and performer.
.jpg)
In 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture. At the award ceremony she delivered an impromptu lecture on the influence of Rimbaud on her poetry that was so well-received that her award was upgraded on the spot. The next year, she was named to the Rock and Roll Hall of Fame [in Cleveland!] and, the year after that, was the final performer at the venerable East Village club CBGB on the occasion of its closing. Her 3 and 1/2 hour concert covered most of her greatest hits interspersed with her poetry. At 1 a.m., she sang her song "Elegie", read a list of the deceased among the Punk/New Wave world, and brought a portion of musical history to a literal close.
All of her music is still available in a variety of formats; her poetry still in print. Most prominent among her written work is her memoir Just Kids, which won the National Book Award for Non-Fiction in 2010.
At Christmas, she will be performing in Rome at the special request of her most prominent fan, Pope Francis.
Thursday, December 11, 2014
Makes It Hard To Sympathize With Their Cause When They Do Dumb Things Like This
This Greenpeace Stunt May Have Irreparably Damaged Peru's Nazca Site
Of course, these days environmental groups seem to exist in their own bubble, grossly unaware of much of science, history, religion, culture, or...well, the environment.
Of course, these days environmental groups seem to exist in their own bubble, grossly unaware of much of science, history, religion, culture, or...well, the environment.
Wednesday, December 10, 2014
Monday, December 8, 2014
An Editorial Note
I want to thank those who know of my situation for your supportive prayers. Yesterday I read the Litany at the Time of Death for my mother and with Dad in Mom's very comfortable and private room in the same hospital in which I had my tonsils removed when I was a child.
As we live in a heavily bureaucratized society, no one is allowed to depart this life without the appropriate paperwork completed and fees paid to a remarkable collection of petty authoritarians, so I'm going to be busy with all of that for the remainder of the month. Not to mention that this is a mere fortnight before Christmas season, so I've got much to organize.
This means the luxury of spending my early mornings posting to The Coracle will be replaced by much more mundane activities. However, there will continue to be a person-of-the-week on Friday mornings and, as a tip of the hat to some very ancient days when I worked at a radio station, some music video later that same day.
We'll return in the new year.
As we live in a heavily bureaucratized society, no one is allowed to depart this life without the appropriate paperwork completed and fees paid to a remarkable collection of petty authoritarians, so I'm going to be busy with all of that for the remainder of the month. Not to mention that this is a mere fortnight before Christmas season, so I've got much to organize.
This means the luxury of spending my early mornings posting to The Coracle will be replaced by much more mundane activities. However, there will continue to be a person-of-the-week on Friday mornings and, as a tip of the hat to some very ancient days when I worked at a radio station, some music video later that same day.
We'll return in the new year.
Sunday, December 7, 2014
Friday, December 5, 2014
No Place Like...Well, You Know
The icing on this cake of absurdity? Both halls of fame share space with city hall.
Ernie Anderson
"I don't know if anyone realized at the time that they were about to hand Ernie a $4 million toy."
_______________________________________________________________
I realize that I can be fairly esoteric with some of my Friday choices, but this post may be found by readers to be the apex. It draws together so many disparate elements, from TV meteorology to Flash Gordon serials to really, really, bad monster movies to forbidden jazz music to exploding model cars to crime statistics to Peyton Place to Great Lakes pollution..., really I think I just shorted my brain.
So, where to begin? For those younger than I there was a time, over fifty years ago, when local television was still wonderfully amateurish with the late evenings dominated by re-runs of rarely seen movies. Sometimes these movies would have a host who would play some lottery-type game during the commercial breaks or offer a brief news or farm report. At the end of the broadcast day, there would be a prayer offered by a local clergyman and then a patriotic short featuring a stirring rendition of the National Anthem with scenes of fighter jets and warships at full cry.
[Two or three times in the mid-'80's I offered the "sign-off" prayer on a TV station in Erie, Pennsylvania. While it was recorded on Thursday afternoons, it would appear at 3 or 4 in the morning when the station had exhausted its supply of ancient films. While no longer done, it is one of my fond memories from my early years of ordained ministry.]
One of the most charming ideas developed during these days was the notion of a late-night horror movie host. Well, actually hostess, as in 1954 KABC-TV in Los Angeles experimented with having a rather attractive young actress, billed as "Vampira" and dolled up in appropriate make-up, host the Saturday evening viewing of a monster/horror/science-fiction movie of the week. During commercial breaks, she would engage in light banter, jocular observations of the LA scene, and sardonic commentary on the films. While novel and innovative, The Vampira Show only lasted one year.
[If this seems familiar, LA television would again try the concept in the early 1980's with a better actress, named "Elvira", who had a more prominently featured decolletage. She would become the most famous "horror host" in TV history.]
Still, what didn't work in LA turned out to work rather well in Philadelphia ["Zacherley"], Indianapolis ["Selwin"], New Orleans ["Morgus the Magnificent"], and Chicago ["Marvin"]. The trend was admirably aided when Universal Films released for television their considerable vault of horror movies, from the sublime [Frankenstein, The Mummy, Dracula, The Wolf Man, The Invisible Man] to the...well, less-than-sublime [The Mad Ghoul, Weird Woman, The Frozen Ghost, and Abbott and Costello Meet The Mummy]. Suddenly, there was a bounty of material and, in response, the "horror host" movement covered the nation from coast-to-coast.
Cleveland, the perpetual underdog in all things athletic, political, and corporate, was not to be outdone. In 1963, WJW-TV, the CBS outlet, hired a jack-of-all-trades to create a persona to host their Friday night Shock Theater. Ernie Anderson was an announcer, disk jockey, commercial pitchman, weatherman, and failed talk show host. He would also perform in nightclubs as part of a comedy duo with Tim Conway, who would later find fame as a member of Carol Burnett's television ensemble and in a variety of movie and TV roles. Anderson and Conway were mostly famous in Cleveland for their wonderfully loopy, ad-libbed commercials for a local bakery. The ratings for their ads were often higher than those of the shows the bakery helped to fund.
So, since he was under contract to them anyway as an announcer and weatherman, WJW invited Anderson to make a little more income in live Friday night TV. Thus, Shock Theater was born and, with it, its new host, a sloppy, goofy, fright wig-wearing, beatnik by the name of...Ghoulardi. We were never the same afterwards.
WJW probably should have done some due diligence with their hire, however, If so, they would have learned that Anderson was a notorious free thinker, not something really prized in local TV in those days, and a fan of both the edgy TV innovator Ernie Kovacs and the organ driven jazz music of Cleveland's demi-monde. As quoted above, Anderson's assistant, a young TV director named Chuck Shadowski, who would one day inherit the mantle of movie host, realized before the station management that they now all lived in the world according to Ghoulardi.
So, after the new Shock Theater theme song, the Rivington's "Papa-Oom-Mow-Mow" [come back at 5pm for that], from a blacked out set, under-lit and smoking a cigarette while using the exaggerated gestures of a genuinely disturbed individual, Ghoulardi made his debut on January 13, 1963. By the end of his run just three short years later, Ghoulardi [no one called it Shock Theater after the first few episodes] would become the most popular show in the Cleveland market and, according to the police departments in the area, the reason that crime statistics dropped instead of rose every Friday night. For his younger viewers, such as this writer, the show would be re-run on Saturday afternoons.
A few things one could always count on with Ghoulardi:
1. The movie would be terrible, although I did have some favorites like The Giant Behemoth and Invasion of the Saucer Men.
2. The terribleness would be aided vastly by Ghoulardi superimposing himself onto the screen to caper about with the monsters, monster-hunters, or victims. This also included overdubbing the dialogue with absurd dialect from other sources or with verses from obscure pop or blues songs.
3. A lovingly crafted model car would be submitted by a young viewer to be displayed on the air and then summarily blown to bits by Ghoulardi using a common firecracker.
4. The weekly episode of Parma Place [a parody of Peyton Place, a prime-time soap opera of the era; Parma was the part of Cleveland with the highest population of Poles and Polish-Americans] would be offered during the middle portion of the movie, bringing viewers up to date with the life of a Lake Erie muckraker [literally, a guy who raked the muck off the top of the lake water].
5. So called "black music" [really, just early soul music and Cleveland-style jazz] would be played, the stuff that was not heard on any radio station in the city in those days. Otherwise, polka music, mostly by Frankie Yankovic and the Yanks, would fill the bumpers between movie and commercials.
6. Before the movie, an episode from the lost serial Flash Gordon, starring Buster Crabbe, would be shown. That was always my favorite part.
7. Ghoulardi would riff on local news and topics, in doing so coining such terms as "Turn Blue", "Cool It with the Boom-Booms", and "You Purple Knif!" [Knif was "fink" spelled backwards, as the latter term was considered too vulgar to be said on TV in those days]. None of them really made sense, of course, which just added to their splendor when sharing them with elementary school classmates.
8. He would say or do something that would get him in trouble with the censors, station management, or police.
Ghoulardi's popularity grew to the extent that he formed his own basketball team to raise money for charities by playing teachers from local schools [including my dad and his colleagues] and sported a line of milkshakes and sandwich sauces named for him at the local Big Boy restaurants. It really was a remarkable three years.
All good things must come to an end, unfortunately. Ernie Anderson came to the attention of the suits at ABC corporate headquarters in Los Angeles and he was lured away to the be the long-time narrator for the network's prime time shows ["Tonight on The Love Boat...."]. We really missed him, although his acolytes, guys named Big Chuck, Hoolihan, Little John, and The Ghoul would attempt to fill his role over the next twenty years with greater or lesser success.
His hold on Clevelanders of my generation is strong; even comedian Drew Carey would often be seen sporting a vintage Ghoulardi t-shirt on his eponymous sitcom. [This writer owns two such shirts, by the way.] Also, Ernie's son, Wes Anderson, would extend his father's unusual vision and become the director/writer of such films as The Royal Tenenbaums, Rushmore, and The Grand Budapest Hotel.
Looking back, I miss how much fun unscripted television was and how entertaining a nimble, lively, and eclectic mind could be when matched with "the cool medium". Also, it was because of Anderson that I first heard and learned to love the Cleveland jazz sound, not to mention the mad, square funkiness of...yes, polka music.
Anderson had a long career with ABC corporate and became a fixture among the B-listers of Hollywood. He would die of lung cancer at the age of 73 in 1997. A book about his three years dominating Cleveland television, Ghoulardi: Inside Cleveland TV's Wildest Ride, is still in print and popular; and each year Ohio's Ghoulardifest claims new fans during its weekend devoted to bad horror movies and just plain, American silliness.
Below are, in order, "Who Stole the Keeshka?*" by the Yanks, which was the theme song of Parma Place, and a selection of some smooth, Hammond B3 jazz in the Cleveland style. The opening cadences of "Keeshka" still cause me to involuntarily smile.
and
*Keeshka is a type of Polish sausage.
Wednesday, December 3, 2014
I will be traveling on Thursday and dislike airports, teeny plane seats, and the handsy weirdos of the TSA so much that I carry a simple bag and no electronic devices with me save for my ancient flip phone. This means no updates to The Coracle save for the regular Friday person-of-the-week [a prescient choice since I'm traveling to Cleveland; you'll see what I mean when you read it] and the evening "drive-time" music selection.
We'll start up again next week after my return. If I haven't said so in awhile, thanks to those 300+ readers [including 5 or 6 from my parish] who regularly check out this weblog and send along interesting commentary.
We'll start up again next week after my return. If I haven't said so in awhile, thanks to those 300+ readers [including 5 or 6 from my parish] who regularly check out this weblog and send along interesting commentary.
Tuesday, December 2, 2014
Or You Could Just Let Them Play "Tag"
Mindfulness helps students cope with stress, anxiety
"Mindfulness" is the current rage in schools and corporations. It nicely combines the American need for watered-down spirituality and the long con that is the lucrative "self-help" movement. Given the substantial budget that is being granted what is, in effect, sitting doing nothing in a darkened room while some grifter mouths a pastiche of Buddha-esque slogans, I have to admire it from afar.
"Mindfulness" is the current rage in schools and corporations. It nicely combines the American need for watered-down spirituality and the long con that is the lucrative "self-help" movement. Given the substantial budget that is being granted what is, in effect, sitting doing nothing in a darkened room while some grifter mouths a pastiche of Buddha-esque slogans, I have to admire it from afar.
Monday, December 1, 2014
Thanks For Your Permission, Pal
Obama: The only people with the right to object to immigration are Native Americans
Actually, we prefer to object to the historic, systematic attempts at genocide performed upon us by those in Washington D.C. who have preferred us to be at the level of earthworms in the hierarchy of the human race. Personally, I'm heap glad The Great Father in D.C. grants us the right to object, but we don't really need that license anymore.
Actually, we prefer to object to the historic, systematic attempts at genocide performed upon us by those in Washington D.C. who have preferred us to be at the level of earthworms in the hierarchy of the human race. Personally, I'm heap glad The Great Father in D.C. grants us the right to object, but we don't really need that license anymore.
This Is Becoming A Major Problem
Female teachers: The sex offenders no one suspects
During my years as a boarding school chaplain/administrator, I had to deal with teacher misconduct four times; three of the four offenders were female teachers.
During my years as a boarding school chaplain/administrator, I had to deal with teacher misconduct four times; three of the four offenders were female teachers.
I Would Be Prepared To Call "Shenanigans" On This Story, But It Actually Happened To Me Once
DOGGY DRIVER! Man who blamed his pet for speeding at 100mph jailed
Well, not exactly. I mean, it didn't involve the police and I never made it to 100mph, but I did get launched down Lake Shore Boulevard when a dog jumped on my lap then to the floor, wedging between the underdash and my foot on the accelerator. It was a memorable ride.
Well, not exactly. I mean, it didn't involve the police and I never made it to 100mph, but I did get launched down Lake Shore Boulevard when a dog jumped on my lap then to the floor, wedging between the underdash and my foot on the accelerator. It was a memorable ride.